There is certainly a particular sound of vocal singing from the neck up. This can be a thin sound, usually, a really throaty sound – requirements of the unsupported voice. The particular singer producing this audio has the feeling of vocal weakness, strain, stress, hoarseness and perhaps pain.
One of the primary factors which causes vocal tension and eventually, nodules, is vocal singing without support or improper support. This being explained, it is surprising that the most frequently used command in most vocal dojos is more support. If it is correct that a vast majority of highlighted lack proper breath help although the most common suggestion by means of voice teachers is to help, it must be concluded then, there’s a mysterious missing url between the execution of this control and the way it is being shown.
Having been an onlooker in the studios of the most famous singers in the world, who else, after they retired from their vocal singing careers, became voice educators at the most reputable schools in the united states, I can attest to the lack of justification in regards to breath support. These types of famous teachers would continually yell “more support”. Which was, however, as far as it proceeded to go! What is support and how it really is done was not really reviewed. I studied with many of such teachers at the best colleges in the United States in addition to Europe and experienced first hand, the disappointment and mystery of looking to understand the secret of how to guide the sound. At very best, the hand was put on the diaphragm and I was explained to to push against it. In worst case, support was described as the idea of a bowel movement as well as of giving birth but most of times nothing was said mainly because my voice was resonant and powerful and it was as if I was supporting, however I was not.
How to work with the diaphragm as the flexible muscle mass which generates the air circulation is truly an art which has unfortunately been lost along with the bel- canto school of vocal singing. I use the word flexible to spell it out the diaphragm because the whole stage is to connect to the air flow and if the diaphragm gets hard and overly hard that cannot perform that functionality. Very few teachers have the step to developing a flexible diaphragm that will support the sound and obtaining a really great voice teacher is usually, unfortunately, for the most part, a matter of fortune. Even if a teacher provides all the other parts of the dilemna of healthy singing approach, without proper breath support, not more than that works. Resonance, high positioning, pronunciation, use of the tongue in addition to lips in the different picks up, relaxation of the jaw, clean changing of registers, pleasure of the larynx – most of these elements of singing must do the job hand in hand and simultaneously while using breath.