Nothing says punk rock like dismantling the patriarchy. Peacock’s We Are Girl Components, all-female Muslim punk outfit, is a quietly revolutionary comedy, inviting us into the age-old story of discovered household and becoming in while you’ve all the time been taught to see your self as totally different.
Created by Nida Manzoor, We Are Girl Components is the origin story of its titular band: Saira (Sarah Kameela Impey), Ayesha (Juliette Motamed), Bisma (Religion Omole), and Momtaz (Lucie Shorthouse). The pilot sees them discovering their fifth member: Lead guitarist Amina (Anjana Vasan) who suffers debilitating stage fright (there’s vomit concerned). The first season aired in the U.K. in May and is now accessible for U.S. audiences on Peacock.
The six episodes are a present and barely sufficient to fulfill an instantaneous, timeless love for these characters. We Are Girl Components is so persistently, powerfully charming that the one factor to do after ending episode 6 is to begin episode 1 throughout. There are apparent comparisons to Peacock’s own Girls5eva, however Girl Components‘ punk rock sensibility looks like Birds of Prey in sitcom type. The riotous soundtrack is now available so you’ll be able to bump “Voldemort Beneath My Scarf” all summer time lengthy.
The title of that banger aptly summarizes Girl Components‘ irreverent but loving voice. The present is aware of and tells us that there is a distinction between “Fuck conventional values” and “Conventional values? Fuck that.” Everybody within the band feels related to Islam in their very own manner, able to combine artwork, criticism, and revolution into their religion and tradition. There may be little argument spared on whether or not it is applicable for the ladies to play in a band for enjoyable or revenue — Amina’s dad and mom are refreshingly in favor — as a result of it isn’t a protracted argument: Sure, woman, rock on.
Seeing 5 ladies of colour lead a comedy much less serious about gawking at their identifiers than exploring their inside lives feels really revolutionary. There have been exhibits concerning the Muslim diaspora, however typically family-oriented or with a male protagonist. Girl Components is dedicated to its girl components; 5 richly totally different, intricate feminine characters who discover happiness and solace within the music. There merely is not sufficient time in six episodes to offer everybody equal display screen time and backstory; the tales we get are considerate and assorted, if a little bit rushed, and the ensemble chemistry shines.
Seeing 5 ladies of colour lead a comedy much less serious about gawking at their identifiers than exploring their inside lives feels really revolutionary.
Vasan proves to be a grasp of tone and timing, elevating pleasurable scenes to laugh-out-loud ranges whether or not by way of on-screen efficiency or dramatic voiceovers. Shorthouse employs related method together with her eyes and voice, making appearing in a niqab look simple. Impey and Motamed embody the careless cool of their characters, first by way of Amina’s eyes however then by way of ours, and Omole’s Bisma buoys each scene she’s in. There are great pockets of magical realism à la Jane the Virgin, together with Amina and her crush as a black-and-white romcom, punctuating the sequence extra continuously early on after which leaving a palpable void once they’re gone.
The principle critique for We Are Girl Components stays that it’s too quick. I need eight episodes, or 10, or 50. Ending the primary season feels quite a bit like performing a stage gig; you will not bear in mind each element however you will bear in mind the sensation, a rush of pleasure and adrenaline that you simply had been grateful to share with this motley, magnificent crew.
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